George and Nina Banks, in their 50s, are expecting their third child and face unforeseen complications, including Georges decision to sell the family home without telling Nina and Ninas symptoms that they initially believe are due to menopause but turn out to be pregnancy, all while being helped by an old friend and wedding planner Franck, and ultimately, the family is blessed with a baby boy and a baby girl. Father of the Bride Part II is a 1995 American English-language Comedy Family movie starring Steve Martin, Diane Keaton, Kimberly Williams, Kieran Culkin, George Newbern, Martin Short and Nora Dunn. The movie is based on Father s Little Dividend 1951 film by Albert Hackett Frances Goodrich. Touchstone Pictures was the production house involved in the project along with executive producer(s) Nancy Meyers. Father of the Bride Part II is written by Albert Maurice Hackett, Frances Goodrich, Nancy Meyers and Charles Shyer and it is directed by Charles Shyer. Buena Vista Pictures Distribution acquired the distribution rights for the movie. Father of the Bride Part II was released on 8th December 1995 and takes a screen time of 106 minutes. The Film was successful at box office. Father of the Bride Part II was made on a budget of $30 million and it was a super hit at box office gross of $76 million. Cinematography was done by William A. Fraker and editing by Stephen A. Rotter. The music was composed by Alan Silvestri.
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Father of the Bride Part II Reviews and Ratings
Average Review Rating : positive
Positive Review Rating : 46%
But the caricature of a cold, rich Middle Easterner (SCTVs Eugene Levy) amounts to a glaring ethnic slur.Sure, Martin and Keaton squander their talents on this sentimental piffle, but its hard to begrudge these two stars a couple of commercial hits. ( Read More )
Roger Ebert
But it is warm and fuzzy, and has some good laughs and a lot of sweetness. ( Read More )
Michael Dequina
One cant say that Escape from L.A. bores, but one cannot say that it is especially exciting. ( Read More )
James Berardinelli
Unsentimental, non glamorized, and unclouded by the usual overlay of rose colored nostalgia, this is a raw but rewarding motion picture. ( Read More )