The Face of Mercy

Since his election to the papacy, Pope Francis has inspired millions by urging us to embrace Mercy, ultimately revealed in the face of Christ. Now comes an extraordinary new film on this powerful message that brings hope, healing and forgiveness to a broken world. Narrated by Jim Caviezel, The Face of Mercy explores the history and relevance of Divine Mercy in our turbulent times. Watch its story unfold, from an unpretentious Polish nun who experienced powerful visions of a merciful God, to her countryman Pope John Paul II who propelled the message of Divine Mercy onto the world stage, and now the Year of Mercy bestowed upon the Church by Pope Francis. Filmed in stunning 4K and seamlessly weaving together theology, and history with modern testimonials and visual effects, this stirring film creates a remarkable tapestry of what constitutes the face of mercy in our modern world. Meet the woman who found freedom in forgiveness after ing her family wiped out by genocide; the former-NFL linebacker who walked away from football to share Christ s mercy with the homeless; the baseball player who traded MLB ambitions for the monastery; the priest with a drug-dealing past, and the young widow who chose mercy towards her husband s killer. These moving testimonies will remind us all that Divine Mercy is not just a devotion of the past or some abstract theology - it is alive, it is present, and it will transform the world. Written by Anonymous The Face of Mercy is a 2016 American English-language Documentary movie featuring Jim Caviezel, Scott Hahn, George Weigel and Fr. Michael Gaitley. Spirit Juice Studios was the production house involved in the project along with executive producer(s) The Knights Of Columbus and Congregation Of The Sisters Of Our Lady Of Mercy. The movie is directed by David Naglieri. American Broadcasting Company acquired the distribution rights for the movie. The motion picture has a running time of 57 minutes. The screenplay for the movie was written by David Naglieri. Cinematography was done by George Hosek and editing by Marc Boudignon and Ted Maynard. The music was composed by Sean Beeson.
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