Detective Barton, along with a mysterious stranger named Ben, investigates a stolen necklace while being pursued by a gang of thieves, leading to a series of intense encounters involving more characters, an undercover police officer, a train chase, and ultimately ends with all thieves apprehended and Barton, Miss Ackroyd, and Ben laughing together over breakfast, with Ben revealing he has the stolen necklace. Number Seventeen is a 1932 English-language Crime Mystery movie starring John Stuart, Anne Grey, Leon M. Lion, Donald Calthrop, Barry Jones, Ann Casson and Herbert Langley. The movie is inspired from Number Seventeen by Joseph Jefferson Farjeon. Associated British Picture Corporation was the production house involved in the project along with executive producer(s) John Maxwell. The movie is directed by Alfred Hitchcock. Wardour Films acquired the distribution rights for the film. Number Seventeen was released on 7th November 1932 and takes a screen time of 64 minutes. The screenplay for the movie was written by Alfred Hitchcock, Alma Reville and Rodney Ackland. Cinematography was done by Jack Cox and Bryan Langley and editing by A.C. Hammond. The music was composed by Adolph Hallis.
compelling
Jini Score 5.2/10
Critics Score 61%
Rating 5.8/10
Jini Score 5.2%
Critics Score 61
Rating 5.8
negative
Number Seventeen Watch Online
Release
Date07 NOV 1932
Language
English
Genre
Crime
,
Mystery
,
Thriller
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Number Seventeen Reviews and Ratings
Average Review Rating : positive
Positive Review Rating : 61%
Dennis Schwartz
Unsatisfactory early tongue in cheek comedy/suspense yarn directed and cowritten by Alfred Hitchcock. ( Read More )
Jonathan Rosenbaum
A peculiar and neglected early Hitchcock stage adaptation (1932), notable because it was intended partly as an absurdist send up and none of the contemporary reviewers got the point. ( Read More )
A technically compelling Hitchcock film which, while made early in his career and rather crude, displays his genius at creating visual suspense. ( Read More )
Fernando F. Croce
Murnau is dead, the elegy is a jocular dash of expressionism in a dilapidated mansion, the door opens by itself and the camera tracks in. ( Read More )