Monsieur Max et la Rumeur

Tasha Robinson

The films pieces dont always fit together, but even in isolation, some of those pieces are well worth watching. ( Read More )

Cath Clarke

Everything about Gone has the plasticy, leatherette feel of an imitation thriller. ( Read More )

R. Kurt Osenlund

Nearly a year has passed since the release of Catherine Hardwickes Red Riding Hood, and Amanda Seyfried is still crying wolf.At least thats the opinion of the drastically one dimensional dickhead cops in Gone, who coldly dismiss Jills (Seyfried) claims that her sisters been kidnapped, chalking it up to yet more hysterics from the crazy girl who swears she, too, was abducted a year earlier. ( Read More )

John DeFore

A thriller so fixated on red herrings that viewers may stop caring if anyones really in danger, Gone is diverting but unlikely to linger long in theaters. ( Read More )

Brazilian director Dahlia in his U.S. debut shoots Portland and the oppressive surrounding woodlands with an ominous gloom that unfortunately never manages to put much of a dent in the films core obviousness. ( Read More )