Dancer, Texas Pop. 81

1998 - ENGLISH - MOVIE

Comedy Drama Family

Dancer, Texas Pop. 81 is a 1998 English-language Comedy Drama motion picture written and directed by Tim Mccanlies and produced by Dana Shaffer, Peter White and Chasse Foster under the banner of Caribou Pictures. Four friends from the small Texas town of Dancer are graduating from high school and are planning to move to L.A.. Dancer, texas pop. 81 features Breckin Meyer, Peter Facinelli, Ethan Embry, Eddie Mills, Ashley Johnson, Patricia Wettig and Pat Ridley. The music was composed by Steve Dorff. Cinematography was done by Andrew Dintenfass and editing by Rob Kobrin. The film has a running time of 97 minutes. The film made a box office gross of $0 million. Distribution rights for the film were acquired by TriStar Pictures.
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peripheral entertaining wonderful woebegone
  • Jini Score
    7.9/10
  • Critics Score
    59%
  • Rating
    6.7/10
  • Jini Score
    7.9%
  • Critics Score
    59
  • Rating
    6.7
negative

    Dancer, Texas Pop. 81 Watch Online

Release Date01 MAY 1998
Language

English

Genre

Comedy , Drama , Family

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Dancer, Texas Pop. 81 Reviews and Ratings

Average Review Rating : positive

66.67%

Positive Review Rating : 59%

59%
    • Hollis Chacona

      Writer/director Tim McCanlies proves that rural wit is not an oxymoron.A wonderful script is matched by a terrific cast. ( Read More )
    • Frederic and Mary Ann Brussat

      This laid back drama ambles around its peripheral themes of coming of age and friendship. ( Read More )
    • James Kendrick

      A lot of the beats are a bit too familiar from previous entries in the series, which isnt surprising given that this is the fifth film to play off the idea that genetically recreated dinosaurs will eventually run amok if given enough time. ( Read More )
    • Dancer is another one of those little woebegone towns that time forgot, its own little Last Picture Showplace, but McCanlies has the good taste not to cutesify or overplay its appeal. ( Read More )
    • David Luty

      Once that happens, the film becomes tediously schematic, communicating a monotonous predictability far more effectively than it should want. ( Read More )
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