Its consistently fleet and funny, even as it probes the heady abandon and looming hangover that typified the decade of discontent. ( Read More )
Telegraph
Directorially, it is as cutting edge late Sixties as you can get all fish bowl juxtapositions, dappled light and pensive close ups. ( Read More )
Ny Daily News
As it stands, the vacuum of that warped, moneyed Los Angeles society is too exaggerated, too incredible. But one cant help but believe in Hoffman if not in the disjointed character he portrays. ( Read More )
The remarkably true ring of Webbs dialogue is preserved and augmented, the visual potential lifted to next power in absurdity. ( Read More )
Time
The screenplay, which begins as genuine comedy, soon degenerates into spurious melodrama. ( Read More )