Saint Maud

Writer director Rose Glass debut is brazenly unclassifiable, supremely comfortable in its own uncomfortable skin. ( Read More )

In its most piercing earthbound moments, Saint Maud even evokes the impressionistic human poetry of another shattered woman study, Lynne Ramsays Morvern Callar, and not just because Clark has some of the young Samantha Mortons moony, haunted ingenuousness. ( Read More )

Aja Romano

As Maud, Morfydd Clark performs a martyrdom thats sullen, petty, and entirely self absorbed. ( Read More )

Margot Harrison

Saint Maud is on the far psychological end of psychological horror, a movie less about scares than about dread. ( Read More )

Not that theres a label on the film marking it as such, but the proceedings suggest a fealty to some of the genres more unfortunate conventions, starting with long drone ominous music to conjure a sense of foreboding whenever what takes place onscreen doesnt do so strongly enough. ( Read More )