Pass Over

2018 - ENGLISH - MOVIE

Drama

Pass Over is a powerful play by Antoinette Nwandu, directed by Spike Lee, that follows the daily lives of two young black men in Chicago, exploring their dreams for a better future and shedding light on the struggles they face as they navigate racism, violence, and the desire for progress. Pass Over is a 2018 American English-language Drama film featuring Jon Michael Hill, Julian Parker, Ryan Hallahan and Blake Delong. 40 Acres and a Mule Filmworks was the production house involved in the project along with executive producer(s) Spike Lee. The movie is directed by Danya Taymor and Spike Lee. Amazon Studios acquired the distribution rights for the film. Pass Over was released on 20th April 2018 and takes a screen time of 75 minutes. and it received positive reviews from critics when it was released. The screenplay for the movie was written by Antoinette Nwandu. Cinematography was done by Chayse Irvin and editing by Hye Mee Na
eloquent unconventional unattainable communal turbulent
  • Jini Score
    5.7/10
  • Critics Score
    77%
  • Rating
    6.1/10
  • Jini Score
    5.7%
  • Critics Score
    77
  • Rating
    6.1
negative

    Pass Over Watch Online

English
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Release Date20 APR 2018
Language

English

Genre

Drama

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Pass Over Reviews and Ratings

Average Review Rating : positive

77.29%

Positive Review Rating : 77%

77%
    • Chris Nashawaty

      The dialogue mixes Sunday school and the streets, and its funny, profane, and occasionally poignant when its not a bit too on the nose. ( Read More )
    • Nick Allen

      Like Becketts story, its an existential riff about two men that are not moving from one particular spot waiting on something to happen. ( Read More )
    • Arifa Akbar

      As a drama, Pass Over is a masterful tragedy. As a reflection of the world, it is all too real and utterly woeful. ( Read More )
    • John DeFore

      Destined not for theaters but for streaming, this worthy effort will miss out on something its very production conceit celebrates: the power of communal viewing by those for whom it was made. ( Read More )
    • Gary Goldstein

      The movie, shot on the Steppenwolf stage in September in front of an invited audience that included local community groups (whose arrival and departure buoyantly bookend the film), proves a brief yet rousing experience, one that retains its theatrical power and then some via Lees deftly constructed transfer. ( Read More )
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