Multiplicity

1996 - ENGLISH - MOVIE

Comedy Romance Sci-fi

Multiplicity is a 1996 English-language Comedy Romance movie starring Michael Keaton, Andie Macdowell, Harris Yulin, Richard Masur, Zack Duhame, Katie Schlossberg and Michael Klesic. Pacino s character, Satan, takes the guise of a human lawyer named after the author of Paradise Lost, John Milton. Multiplicity was Produced by Trevor Albert and Harold Ramis. The movie is directed by Harold Ramis. Columbia Pictures acquired the distribution rights for the motion picture. Multiplicity was released on 17th July 1996 and takes a screen time of 117 minutes. Multiplicity was made on a budget of $45 million and at the box office it grossed only $21 million. The screenplay for the movie was written by Chris Miller, Mary Hale, Harold Ramis, Lowell Ganz and Babaloo Mandel. Cinematography was done by L szl Kov cs and editing by Craig Herring and Pembroke J. Herring. The music was composed by George Fenton.
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appealing unsentimental terrific burdensome inherent
  • Jini Score
    5.0/10
  • Critics Score
    33%
  • Rating
    6.1/10
  • Jini Score
    5.0%
  • Critics Score
    33
  • Rating
    6.1
negative

    Multiplicity Watch Online

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Release Date17 JUL 1996
Budget$ 45 MILLION
Language

English

Genre

Comedy , Romance , Sci-fi

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Multiplicity Reviews and Ratings

Average Review Rating : positive

58.25%

Positive Review Rating : 33%

33%
    • Common Sense Media Editors

      Between the two, no, five of them, theres plenty of action and sophomoric humor on screen.While the action and humor may appeal to teens, who might also be able to relate to the difficulties of multitasking, other things about this movie may make it less appealing for them or you. ( Read More )
    • Kenneth Turan

      A look at the Laugh Factorys Comedy Camp, which for more than 30 years has offered a place for at risk kids and otherwise to try their hand at stand up, gain confidence and in the case of alum Tiffany Haddish success. ( Read More )
    • Rob Blackwelder

      The answer, of course, is that to explore these feelings would be extremely burdensome on the comedy and the plot, so the filmmakers chose to ignore them. ( Read More )
    • Gene Siskel

      A promising comedy that ultimately falls apart with a very weak third act. ( Read More )
    • Roger Ebert

      How about elevating the material to true screwball, instead of staying at the level of sitcom and human comedy ( Read More )
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