In this story, an LAPD officer investigates corruption and criminal activities within the department, leading to a deadly confrontation with a corrupt officer and a hired hitman. Internal Affairs is a 1990 American English-language Crime Drama film starring Richard Gere, Andy Garc A, Andy Garcia, Nancy Travis, Laurie Metcalf, Richard Bradford and Bj Korros. Swastik Productions was the production house involved in the project along with executive producer(s) Frank Mancuso Jr. Internal Affairs is written by Henry Bean and directed by Mike Figgis. Paramount Pictures acquired the distribution rights for the motion picture. Internal Affairs was released on 12th January 1990 and takes a screen time of 115 minutes. The Film was successful at box office. Internal Affairs was made on a budget of $15 million and it was a hit at box office gross of $27 million. Cinematography was done by John A. Alonzo and editing by Robert Estrin. The music was composed by Brian Banks along with Mike Figgis and Anthony Marinelli.
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Internal Affairs Reviews and Ratings
Average Review Rating : positive
Positive Review Rating : 77%
Terry Francis
Internal Affairs has nothing to do with life or police corruption or infidelity as we experience them in the real world. Its actually a position paper on how to titillate the audience... without having a trace of honest regard for the themes it raises. ( Read More )
Common Sense Media Editors
While the film is gripping in places, its portrayals of women and people of color has not aged well. ( Read More )
James Berardinelli
Unsentimental, non glamorized, and unclouded by the usual overlay of rose colored nostalgia, this is a raw but rewarding motion picture. ( Read More )
David Nusair
The end result is a decent enough drama that does, for the most part, feel like it should be much, much better, which is a shame, certainly, given that Gere steps into the shoes of a seriously irredeemable character with a mustache twirling glee that often proves impossible to resist. ( Read More )
When in doubt, LETHAL WEAPON damned the critics to plunge full speed ahead into boom boom cartoon action, giving audiences a wild roller coaster movie ride in lieu of compelling drama.Figgis tries to have it both ways, creating an ersatz aura of worldly cynicism for the art house crowd, while providing plenty of sleazy sex and blood pellet violence for those in the cheaper seats. ( Read More )