A mechanic who works as a driver for hire in LA becomes involved in a criminal conspiracy after offering his services for a heist and falls in love with his neighbor. Drive is a 2011 American English-language Crime Drama motion picture starring Ryan Gosling, Carey Mulligan, Bryan Cranston, Christina Hendricks, Ron Perlman, Oscar Isaac and Paula Alvarez. The movie is based on Drive by James Sallis. Lion Television and BBC Scotland in association with BBC Bristol. were the production houses involved in the project along with executive producer(s) John Palermo, Marc Platt, Adam Siegel, Gigi Pritzker and Michel Litvak. Drive is written by Hossein Amini and James Sallis and it is directed by Nicolas Winding Refn. FilmDistrict acquired the distribution rights for the motion picture. Drive was released on 3rd November 2011 and takes a screen time of 100 minutes. and it received positive reviews from critics when it was released. Drive was made on a budget of $15 million and at the box office it grossed only $0 million. The screenplay for the movie was written by Hossein Amini. Cinematography was done by Newton Thomas Sigel and editing by Matthew Newman. The music was composed by Cliff Martinez.
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Drive Reviews and Ratings
Average Review Rating : positive
Positive Review Rating : 83%
Mike D'Angelo
At least half a dozen scenes are burned into my memory for life, including not one but two of the most jarring, heartbreaking juxtapositions of tenderness and violence this side of classic Kitano. ( Read More )
Scott Tobias
At a time when action films routinely pass off freneticness as excitement, Drive is a reminder of how powerful the genre can be when every shot and every line of dialogue has a purpose, deployed for maximum impact. ( Read More )
Roger Ebert
Drive is more of an elegant exercise in style, and its emotions may be hidden but they run deep. ( Read More )
Jeffrey M. Anderson
Regardless, the overall package will appeal to adult moviegoers who like this kind of way over the top material. ( Read More )
Glenn Heath Jr.
Drives narrative trajectory goes down a long and winding road into hell, and Refns genre signposts form stirring corridors, avenues, and lanes of directionality. ( Read More )