Blue Bayou

2021 - ENGLISH - MOVIE

Drama

The film follows Antonio LeBlanc, a Korean-American adoptee facing deportation due to a criminal record, as he tries to navigate legal challenges and resort to illegal activities in order to support his family, ultimately resulting in the end of his relationship with his wife and daughter and shedding light on the hardships experienced by other adoptees in similar predicaments. Blue Bayou is a 2021 American English-language Drama movie featuring Justin Chon, Alicia Vikander, Mark O brien, Linh Dan Pham, Sydney Kowalske, Vondie Curtis-hall and Elizabeth Kaluev. Blue Bayou was Produced by Charles D. King, Kim Roth, Poppy Hanks and Justin Chon. The motion picture is written and directed by Justin Chon. Focus Features acquired the distribution rights for the movie. Blue Bayou was released on 10th September 2021 and takes a screen time of 119 minutes. The film made a box office gross of $0 million. Cinematography was done by Matthew Chuang and Ante Cheng and editing by Reynolds Barney. The music was composed by Roger Suen.
  • Jini Score
    8.4/10
  • Critics Score
    65%
  • Rating
    7.1/10
  • Jini Score
    8.4%
  • Critics Score
    65
  • Rating
    7.1
negative

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Release Date10 SEP 2021
Language

English

Genre

Drama

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Blue Bayou Reviews and Ratings

Average Review Rating : positive

67.5%

Positive Review Rating : 65%

65%
    • David Gonzalez

      While Parkers time on screen is minimal, it offers Antonio not only an entry into Asian American culture but a face outside his family that doesnt consistently offer up cruelty towards him. ( Read More )
    • Paul Lê

      On top of challenging norms is a spate of heartrending performances and complex characterizations. ( Read More )
    • Zoë Rose Bryant

      Anchored by touching turns from Chon, Vikander, and Kowalske, Blue Bayou is the rare issue movie that transcends its typical trappings, cutting straight to the core of the cultural conversation surrounding current citizenship struggles with riveting rage. ( Read More )
    • Tom Shone

      By the end... Chon has revealed himself to be hopelessly addicted to melodrama. Loading his story with extreme events, he reveals the weakness of its foundations. ( Read More )
    • Wendy Ide

      Chons directing choices are bold and sometimes interesting, but the screenplay a big old overcooked melodrama that chucks in everything from a motorcycle chase to a terminal cancer subplot is an almighty mess. ( Read More )
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