Awaydays

2009 - ENGLISH - MOVIE

Crime Drama

On the Wirral in the grim early years of Margaret Thatcher s premiership, the opportunities for thrill king young men looking to escape 9 to 5 drudgery are what they ve always been: sex, drugs, rock n roll, fashion, football and fighting. Written by FilmFinders Awaydays is a 2009 English-language Crime Drama movie featuring Stephen Graham, Nicky Bell, Liam Boyle, Oliver Lee, Lee Battle, Sean Ward and Nigel Pilkington. Awaydays was Produced by David A. Hughes. Awaydays is written by Kevin Sampson and directed by Pat Holden. Optimum Releasing acquired the distribution rights for the film. Awaydays was released on 22nd May 2009 and takes a screen time of 105 minutes. The film made a box office gross of $0 million. Cinematography was done by Tony Mitchell and editing by Mark Elliot. The music was composed by David A. Hughes.
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everlasting disappointing lukewarm interesting budgetary
  • Jini Score
    4.6/10
  • Critics Score
    40%
  • Rating
    5.7/10
  • Jini Score
    4.6%
  • Critics Score
    40
  • Rating
    5.7
negative

    Awaydays Watch Online

English
FREE
Release Date22 MAY 2009
Language

English

Genre

Crime , Drama

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Awaydays Reviews and Ratings

Average Review Rating : neutral

48.53%

Positive Review Rating : 40%

40%
    • Dave Calhoun

      The film falls down in its effort to make credible the background stories of its well performed lead characters. ( Read More )
    • Anthony Quinn

      Its themes of friendship and rejection are handled with aching sincerity, but they cannot galvanise a drama too forgiving and too much in awe of knife wielding yobs. ( Read More )
    • Matthew Turner

      Disappointing British drama that fails to engage, thanks to leaden direction, an underwritten script and lacklustre performances from the two leads. ( Read More )
    • Tim Robey

      Whats convincing here is the pervasive unhappiness the movie really understands violence as a drug, a way out of a void. ( Read More )
    • Andrew Pulver

      To these figures, Sampson applies an almost hysterical level of romanticisation, and it sort of works especially when all the impossibly yearning post punk music on the soundtrack really gets going. ( Read More )
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