A wealthy man refuses to pay the ransom for his kidnapped grandson, leaving the desperate mother to turn to a negotiator before ultimately agreeing to sign over custody of her other children in exchange for the funds needed for the successful release of her teenaged son. All the Money in the World is a 2017 English-language Biography Crime motion picture featuring Michelle Williams, Christopher Plummer, Mark Wahlberg, Romain Duris, Timothy Hutton, Charlie Plummer and Giannina Facio. The movie is based on Painfully Rich: The Outrageous Fortunes and Misfortunes of the Heirs of J. Paul Getty by John Pearson. TriStar Pictures in association with Imperative Entertainment and Scott Free Productions. were the production houses involved in the project along with executive producer(s) Kevin J. Walsh, Mark Huffam, Bradley Thomas, Chris Clarke, Dan Friedkin, Quentin Curtis, Chris Clark and Ridley Scott. All the Money in the World is written by David Scarpa and John Pearson and it is directed by Ridley Scott. Sony Pictures Releasing acquired the distribution rights for the movie. All the Money in the World was released on 25th January 2018 and takes a screen time of 135 minutes. All the Money in the World was made on a budget of $50 million and at the box office it grossed only $0 million. Cinematography was done by Dariusz Wolski and editing by Claire Simpson. The music was composed by Daniel Pemberton.
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All the Money in the World Reviews and Ratings
Average Review Rating : positive
Positive Review Rating : 82%
A.A. Dowd
But the truth is that Scott, who hasnt made a truly great movie since the one two punch of Alien and Blade Runner, can be proficient to a fault. ( Read More )
Eric Kohn
Hes a master showman, and theres plenty to enjoy about the movies twisted saga, but it has a cookie cutter appeal on par with Gettys superficial standards. ( Read More )
Marc Savlov
A surface viewing of the film makes it feel like this is one of Scotts lesser magnum opuses but on closer inspection this is a story thats all but contemporaneous given its through line of amoral acquisitiveness. ( Read More )
Joshua Rothkopf
The arrival of a top notch new thrillerpounding with excitement and suffused with the kind of mote flecked grandeur that director Ridley Scott seems to conjure effortlesslyshould be news enough, but theres something that must be addressed first. ( Read More )
Its an interesting parallel, but its a shame that the movie starts out strong before dragging its story out in a way that deflates a lot of its initial momentum. ( Read More )